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• 1950s Retro Kitchen Conversion for Less than $1000
• Cavalier Cedar Chests
• Westinghouse Roasters
• Philco RadioBar

Waterfall furniture is a catchall term for molded plywood furniture that employs curved or rounded horizontal edges; hence, the term "waterfall". The furniture uses unusual veneer designs and often has clever Bakelite handles.

This was inexpensive furniture in its time. Generally, there is no "frame" -- the molded plywood sides and tops are supported by edge moldings. Often, there are no drawer glides. Finish is uniformly mahogany stain and spray shellac. Our blonde set is relatively rare.

The inspiration for waterfall comes from handmade furniture emanating from the modernist movements in France, Austria and Germany. The ultra-exclusive French firm of Sue et Mare is a major source of these "copycat" designs. Early examples mix Victorian motifs with modernist themes and were designed to appeal to broad audiences. Here are some examples of the "Real Stuff" that was imitated by waterfall manufacturers

A Bleached Mahogany Coiffeuse
France, ca. 1925
42.5" x Width: 59" x Depth: 12" worth about $12,500


A Coiffeuse with Chair en Suite by F. G. Saddier
France circa 1930
In Loupe d' Amboyne (a rare wood), the fittings of nickeled metal, the chair upholstered in fine suede.
46"h x 36"w x 16"d, worth about $13,500

Using more mundane materials, this style of furniture was mass-produced from the 1920s through the 1940s. Some is absolutely terrible, and a small amount is breathtaking. The style is most frequently seen in Bedroom Suites, although dining sets and even billiard tables were produced. The intended market was newlyweds --- during the depression, most new couples could not afford their own house; the best they could do was a room in their parents' house. Hence, the "Bedroom Suite" was probably the only thing that they owned, resulting in inordinate sentimental attachment to the furniture and a reluctance to change even tough finances improved. Many couples have kept and preserved their waterfall sets until the very end. As a result many examples of the waterfall genre are available.

The Basic set included a bed, vanity and bench, and chest of drawers. Other items included nightstands, dresser, cedar chest and armoire/chifferobe. In the 1930s, a basic "suite" would have cost about $40, and "deluxe" models may have reached to $200.

Today, a complete basic suite goes for $800-$900 in reasonable condition. The hardest pieces to find are nightstands and vanity benches. Cedar chests go for $400 and up. The "value" is sentiment --- on an intrinsic basis, waterfall is not "Fine Furniture" because the construction techniques and materials are generally skimpy. Some labels (Cavalier, Heywood-Wakefield) are exceptions because they used excellent materials.

The Vanity

The flanking photos are X-rays of flowers
very popular in the 1940s
Centered above the mirror is the
Vargas Girl from September 1944, my Birth Month
The radiant Heater on the floor is on our Fans Page


The Dresser
To the left are silhouettes of my family, cut in Cedar Point, Ohio in about 1950
The Fada Radio on the right is on our Radio Page
The silver-framed pictures are of my Mom and Dad, taken in 1943
The sombrero is intended to evoke American interest in Mexico during the 1940s
(an inexpensive desitnation for newlyweds)
The "tie" is just that - a 1940s cravat mounted to show off my collection of tie bars
The watches (in globes) are on our Clocks and Watches Page


Chest of Drawers
The Sailor Bank is on our Knicknacks Page
The Perivale Clock is on our Clocks and Watches Page
At the top left, rear of the dresser is a "3-D" photo of Niagara Falls, another popular but inexpensive tourist destination in the 1940s


Bed
We used vintage suitcases for one nightstand so that the other could serve as a TV stand
Click Here to learn more about the Cavlier Cedar Chest at the foot of the bed.
Above the bed is a montage of family photos
I am especially proud of the little fabric headboard lamp that we found in Syracuse


Night Stand #1
This is from another set and has some unusual details
The WE-200 telephone is on our Telephone Page
The Big Ben clock (designed by Henry Dreyfuss) is on our Clocks and Watches Page


Night Stand #2
We use this as a TV stand...

This is our Waterfall bedroom set. It probably dates from the late 1930s. We are very lucky to have almost all the pieces associated with a set like this -- vanity, dresser, chest of drawers, bed, two nightstands, cedar chest, chair and vanity bench. We do not have an armoire or chifferobe, but we wouln't have a place for it anyway. Some of the pieces are mixed in from other sets (like the Nightstands and the cedar chest), but the feel of the room is much like you might expect for a couple starting out their life. This furniture was very cheap, although the use of veneer effects like bookmatching makes the pieces very attractive. Waterfall has a warmth about it that is not captured by very high end furniture. This stuff will always have a very high emotional value and will remain collectible in the future. It is VERY easy to live with!

Here is a Blonde waterfall set that I restored for Karyn's guest room. We toned the finish to coordinate with the wood slat venetian blinds. The handles are all Bakelite. We were very fortunate to get the Vanity Bench!

Blonde Waterfall Vanity
The Dresser Set was our first E-Bay Purchase
We found the Rug on a street corner in the District!
the Bird Pictures are made of feathers and are a 1940s icon


Chest of Drawers
That's Karyn's parents' wedding photo
The Book on Woodies is just fantastic!


The Bed
We got the little headboard lamp from Carl Kirtley


The Lamp, before
We sanded it down, rewired it and enameled it

Here is a waterfall chest that was found by our reader Diane. She writes:

"... Do you believe I got this piece from the Salvation Army for only $99? All I had to do was clean it and polish, and just look? I also got the dresser with a round mirror...."

Diane's Waterfall Find

We think that Diane got a very good deal!

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These photos were sent to us by our friend Dave in Las Vegas

...I ran across a great plywood laminated chair in a garage sale about 15 years ago. It was a chair that was purposely made in about 6 pieces and went together with small round wood dowels...so it could be set up and taken down. It is quite large and to me appears as though it came from the early Art Moderne era. The actual wood dowels are missing and I have only set the chair up about 3 times in all these years because it takes me about that long to figure out how each piece interlocks with the other.You will love this....the garage sale was in a very expensive area of town and when I askled how much for the monster chair..the lady laughed and said she had been literally trying to bribe people to get it out of her garage all morning...So I told her I would give her $5 and she could be rid of it..She very happily said "TAKE IT AWAY"...Last year my wife and I decided to move from Minneapolis to Las Vegas, my wife asked if we had to take the monster since we were getting rid of almost 30 years of collecting and saving...I said we were definitely bringing it with us & we did... During our preparations to move, I set it up in our driveway during a moving garage sale we had (marked not for sale) just to see if anyone out there appreciated this type of furniture....I had one individual that literally begged to buy the chair....

Click Here to see more of Dave's Chair.

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Here are some other items from my office.

The first is a "Lawyer's Rotating Bookcase", so named because at one time, it would hold the entire federal Code of Jurisprudence. Needless to say, it is fairly old...

The Lionel Train set was my actual toy in 1947; the pictures show me and my Dad playing with these very same trains

You might be interested to learn that the unusal system of tracks used by Lionel Trains was invented by Mr. Joseph L. Bonanno of Maplewood, New Jersey in 1939. His patent was granted on February 10, 1942. Keep that in mind the next time you need a sparkling tidbit to enliven an otherwise dull conversation.

Mr. Bonnano's Patent for the Lionel Train Track System, No 2,272,903

I got the Globe-Wernicke sectional bookcases for about $5 each in 1965. They are worth a whole lot more now... These are "Universal 13 inch units", pattern 813 quality 289 1/2. They were made in Cincinnatti, Ohio in the 1920s.

History: An American businessman Henry C. Yeiser set up a furniture factory called The Globe Files Co in Cincinnati in 1882. The factory started manufacturing office and filing furniture. In about the same time, a furniture factory called The Wernicke Co was set up in Grand Rapids, Michigan. A few years later The Wernicke Co designed a bookcase, which consisted of different sized glass cabinet components. By stacking these components on top of and beside one another, you could create different wholes.

Henry C. Yeiser got interested in this design and bought The Wernicke Co factory. With the new owner, the factory was renamed The Globe Wernicke Co. In December 1892 Henry C. Yeiser patented this unique bookcase design. This bookcase design was a huge success and aroused great interest also in Europe. By the end of the 19th century, an English furniture manufacturer Thomas Turner started marketing the design in England. The company was named The Globe Wernicke Co Ltd. In time, The Globe Wernicke Co also expanded to Canada, France, Belgium and Austria.

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Another Lucky Find: This mahogany mirror was included in the pile with the Gate leg Table and the Rocker. This was a fairly straightforward restoration, although I had to use an epoxy-based wood filler to repair some structural damage. It makes a Wonderful hall mirror.

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This is a Thonet Bentwood chair made in Czechoslovakia and imported by the Astra Bentwood Company. This is the bottom of the line for bentwood chairs. I got five of these for $5 from a bookie in Pittsburgh in 1966. He said "Take as many as you want --- we keep 'em here in case we get raided --- it's nobody's loss" Check out real Astra Bentwoods on e-bay today... The wood is beech that has been steam-bent. The finish is a mixture of lampblack and milk, and it wears to a wonderful aubergne color. Click Here to learn more about Thonet Bentwood Furniture.

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This child's rocking chair came with my house when I bought it in 1974. The chair sat in the basement for years. It was really a basket case. I got sick of looking at it, so I took it completely apart and restored it. It's real nice if someone brings a kid over...

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Posted July 25, 2001

On a trip to Brunswick, Maryland, we found this Singer sewing machine. The interesting thing is that it has an Art Deco inspired case. I paid $39 for it --- and it included all the Singer accessories, including the Buttonholer and the Curtain Pleater. As is generally the case, the Singer machine still works perfectly. In the 1930s and 1940s, the Singer company made things that lasted forever!

The case is mahogany veneer with a shellac finish; it showed marks of lots of abuse. Round water stains indicated that leaky flower pots had made their home atop the case, and the finish had been dulled by mildew probably from storage in a damp basement. As you must know by now, all of this is very easily fixed. The shellac was lightly sanded and re-amalgamated by lots of rubbing with alcohol. (Alcohol is the solvent for shellac...) This process removed almost all the scratches and built up a very nice finish. Spar varnish was used to protect the surface

The second photo shows the machine ready for use, with the fold-out work surfaces extended. Several clever spring arrangements bring out arms to support the extensions and the machine itself is ingeniously counterweighted.

The third photo shows the case with the machine and work surfaces stored. This can double as a very stylish writing or reading desk. In 1995, I restored the EMECO aluminum secretarial chair. I guess that it has been waiting all these years to be paired with the sewing machine...

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Posted July 25, 2001

I take "before" pictures because a lot of people just can't comprehend that so much good stuff is just lying there for free on Bulk Trash Day. Well, there are Bulk Trash days and then there are BULK TRASH days. One morning in May, 2001, I hit the jackpot! This Windsor-style rocker, the Gate Leg Table and the Hall Mirror were all found at the same time. Repeat --- they were all free.

As you can see in the first picture, the Rocker was barely recognizable. It had broken into four "chunks" and was rather unceremoniously dumped on the ground. An examination showed that ther pieces were all there, but that the seat had come apart. I loaded the remains into the car and hoped for the best

The seat is the most important part of a Windsor-style chair, because all the other parts fit into it. In a true Windsor-style chair, the seat is formed from one large block of wood. In this case, it would require a single slab of oak about two feet square and three inches thick. (a VERY expensive prospect) The factory that manufactured this chair (my guess is that it dates from the 1920s) made a laminated seat by gluing together a dozen small strips of oak; this size stock that is much more available and economic. The factory used a tongue and groove joint, and held the strips together with a casein type glue, most likely made from animal hides.

The entire chair was covered with thin mud. It looked like the chair had been left outdoors for some time, probably on a porch or patio somewhere. It looks like water had swelled the wood, opening the seams on the laminated seat. Eventually, the glue deteriorated aaaand the components of the seat fell apart, taking with them parts of the chair. However, all 12 parts were right there with their tongues and grooves intact. All I had to do was remove the glue residue, apply a much stronger epoxy glue, and clamp the assembly back together. For safety sake, I bored four 1/4 inch holes through the entire width of the chair and inserted dowels. The second photo shows the process of putting the seat back together.

The chair had been painted white at some time, probably as part of somebody's "brightening" campaign back when magazines like Good Housekeeping urged women to "brighten up Grannie's old rocker by painiting it dazzling white" (or some such nonsense). Needless to say, it was impossible to salvage the old finish, so I got out the heat gun and took the thing down to bare wood. An epoxy-based wood filler was used to repair damages and fill the seams. The pieces were sanded with three grades of paper, 60, 100, and 150. The wood was carefully cleaned with naphtha, a petroleum derivative that removes grease but won't raise the grain.

The third picture shows the pieces after all this work

The fourth picture shows the various pieces being stained. Actually, several things went on. First, a thin coat of shellac was applied to seal the wood. Then, several coats of water-borne gel stain (Rosewood) were applied. Then, the pieces were sanded with 200 grit paper and a thin coat of shellac (alcohol solvent) was applied over the stain to serve as an inter-face between the stain and the glaze coats, keeping one from dissolving into the other. For this piece, the "glaze" was clear water-borne urethane with several drops of pigment added; red, yellow, and brown glaze coats were added and each glaze coat was wet-sanded. Four coats of clear urethane completed the finishing --- the first two were wet-sanded with synthetic steel wool, the third was rubbed with #0000 steel wool and the final coat was treated with Auto Rubbing Compound.

The finished product is shown in the last picture. It is a very comfortable addition to my office.

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Posted July 25, 2001

This is a vey nice dark mahogany gate leg table. As found, there were several problems. First, one of the two leaves was missing as was the actual gate leg. Next, there was an enormous round stain on the center, indicating that a leaky flower pot had probably resided there. On the other hand,the thing was solid mahogany and seemed eminently restorable.

Once again, the glue in the joints had deteriorated and the entire structure was quite rickety. Thus, it was necessary to disassemble the table into its component pieces. The center panel and leaf had incurred considerable damage, so they had to be reduced to bare wood. The table frame was in much better shape and needed only a light sanding.

Because this was solid mahogany, I opted for a completely "organic" finish. The surfaces were sanded with increasingly finer grits --- 60, 100, 150, 200. A thin coat of shellac was applied. Alternating coats of penetrating stain and shellac were applied to build up a depth of finish. The stain is soluble in mineral spirits while the shellac is soluble in alcohol. This layering process simulates the growth of trees and gives a very rich finish without unduly hiding the grain of the wood. A total of six layers were required to disguise the residue of the flower-pot stain

The table was glazed with spar varnish mixed with pigment (Iron Oxide and Van Dyke Brown, in separate coats). Each glazing was allowed to dry for a week and wet-sanded. A final clear coat was applied and buffed with #0000 synthetic steel wool and auto rubbing compound. Yes, the table required about two months of wall time to complete, although each individual work session was only about half an hour.

I had to fabricate a Gate leg --- a piece of mahogany from my "remnants" pile was pressed into service, proving that it is valuable to scavenge wood furniture even when it cannot be restored.

The last photo shows the table in service in my office. The table now holds a Bean Pot lamp with a mica shade that I picked up at a church thrift store for a few bucks. It required only minor re-wiring.

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I bought this spectacular pair of Art Deco Torchieres from a funeral home in Pittsburgh. They used to be set at each foot of the coffin. They initially had Magnum sockets which meant that they used enormous high heat bulbs. After rewiring them, I had them in my office for years --- although they were borrowed on several occasions for use in the National Symphony Decorator Showcase Houses. Well, I'm not the only one with unusual taste...

The recruiting poster ("Gee! I wish I were a man..") by Howard Chandler Christy is an original. My grandfather Mike Rungo took it down on the day World War I ended. He kept it and left it for me. I have always admired the young lady's use of the subjunctive.

That's a Steinway piano bench that someone threw away. I recovered it on Bulk Trash day. I refinished the base, but the top was too far gone. So, I upholstered it with a wonderful Deco print fabric that was on sale at G Street Remnants

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I bought this kitchen chair in Frederick, Maryland for about $5. It was painted red and white. When I got it down to the bare wood, it appeared that this was the original color scheme. This has lines that remind me of stuff by Frank Lloyd Wright. I don't have any more provenance, but I really like it!

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Charles and Ray Eames

A chair that looked like a potato chip. Another that resembled a "well-used first baseman's mitt." A folding screen that rippled... With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." That look and their relationship with Herman Miller started with molded plywood chairs in the late 1940s and includes the world-renowned Eames lounge chair, now in the permanent collection of the Museum of Modern Art in New York.

Charles and Ray achieved their monumental success by approaching each project the same way: Does it interest and intrigue us? Can we make it better? Will we have "serious fun" doing it? They loved their work, which was a combination of art and science, design and architecture, process and product, style and function.

"The details are not details," said Charles. "They make the product." A problem-solver who encouraged experimentation among his staff, Charles once said his dream was "to have people working on useless projects. These have the germ of new concepts." Their own concepts evolved over time, not overnight. As Charles noted about the development of the molded plywood chair, "Yes, it was a flash of inspiration," he said, "a kind of 30-year flash."

With these two, one thing always seemed to lead to another. Their revolutionary work in molded plywood led to their breakthrough work in molded fiberglass seating. A magazine contest led to their highly innovative "Case Study" house. Their love of photography led to film making, including a huge seven-screen presentation at the Moscow World's Fair in 1959, in a dome designed by their friend and colleague, Buckminster Fuller. Graphic design led to showroom design, toy collecting to toy inventing. And a wooden plank contraption, rigged up by their friend, director Billy Wilder for taking naps, led to their acclaimed chaise design. A design critic once said that this extraordinary couple "just wanted to make the world a better place." That they did. They also made it a lot more interesting.

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I found this "Missionesque" porch swing at a yard sale. Tucked up underneath the thing was the original invoice from the Sears catalogue for 1946. I spent some time carefully refinishing it and now it is a wonderful addition to my front porch.

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I bought this wicker set at Dixon's auction gallery in Crumpton, Maryland. The three major pieces were sold as a lot and went for $20 --- I had to do some repairs and refinishing, of course. It turns out that a hot glue gun works wonders in repairing wicker. For my money, hunter green is the ONLY color for wicker.

The two flower holders were originally gift baskes from Harry and David's (in Medford Oregon). Has anyone seen the film Double Indemnity? Does the phrase "Medford, Orgeon" ring a bell?

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Another Lucky Find: In July, 1999 I was having my car serviced at the Sunoco on Connecticut Avenue near what used to be Chevy Chase Lake (approx. Connecticut and Jones Mill Rd). During the 1920s, the Connecticut Avenue trolley line ended here and the Chevy Chase Land Company built a recreational facility on a "lake" made by damming up Rock Creek. So, people would take the trolley to come swimming in the far rural outreaches of the city... Boy have things changed!

OK, while the car was being serviced, I dropped into the Crestar Bank branch to use the ATM. This particular building is a survivor of the old Perpetual Savings and Loan, the ONLY financial institution in DC that did not shut down in the Banking Crisis of 1932. (Perpetual, however, did succumb to the Thrift Scandal of the early 1980s.) On the other hand, they left behind this building, a masterpiece of 1950s international style architecture. If you like this period, you should pay a visit before the number crunchers turn this into a Starbucks. This harkens back to a time when you might actually think of getting dressed up to go to the bank. Boy, that really was 50 years ago... Nowadays, you have to think about washing your hands after you go into most banks.

After paying attention to the murals, carpets, lighting and Scandinavian wood furniture, I made my way back to the Sunoco station. On the way, I noted a small table on the street, looking very much like a candidate for bulk trash day. I spent some time finding a worker who spoke English, but eventually determined that the object was, indeed slated for disposal. I picked the thing up and carried it back to the car.

I have NO idea how this got into a bank, but it is an actual Modecraft manicurist's table. The black top is an early laminate, and the aluminum handgrips on the top are set in Bakelite. The handles on the two drawers were originally Bakelite, but I was only able to find one of them, and so more contemporary brass and chrome handles have been substituted. One of the two drawers has a glass front with a red cross and the word "Sterilizer". (This is just a drawer and shows no sign of ever having been anything else.)

The August issue of Washingtonian Magazine (page 119) shows a picture of a large beauty salon in the 1940s and (mirable dictu) there is an identical Modecraft manicurist table...

On the top of the table, some of the other treasures are displayed, including (clockwise): 1: The FDR campaign lamp discussed below; 2: an unusal statuette of a monkey holding a basketball, possibly a commentary on student athletes of the 1930s; 3: a "See, Hear, Speak No Evil" statuette in jadeite; 4: the paint sprayer attachement for the Electrolux; and 5: the Brannock Device, a tool for measuring foot sizes in a time when people wore shoes besides sneakers. The Electrolux Model XXX sleeps under the table like a faithful dog...

Another find..

Our friend "Acme Ron" sent us this photo of his mother's beauty shop in Phoenix, taken in the mid 1940s. The Modecraft table would fit in there just fine. Thanks, Ron!

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The lamp is very unusual. Made of pot metal, it depicts Franklin Roosevelt in storm gear steering the ship of state through troubled times. The inscription says "FDR Man of the Hour". Although the public knew that FDR was permanently confined to a wheelchair, they seemed to be perfectly willing to accept him in this heroic posture. We did a fairly close analysis and concluded that the piece had been brass plated. We did it one better -- we got a book of faux gold leaf and applied it to the lamp. We mixed up a batch of "sizing" --- full-strength varnish with red pigment. This was applied to the piece and allowed to tack up for an hour. The leaves (microscopically thin) are removed from a booklet with a camel brush. You rub the brush on a piece of wool to generate static electricity and you can grab the sheet out of the book. This is applied to the piece and patted down gently with a 1/2 inch artist's brush. The result is very striking. The red pigment on the sizing gives the gold leaf a nice rich color.

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My partner and I ventured up to Chambersburg. I had warned her that the workshop was filled to overflowing and that we were NOT going to come back with any restoration projects. As we approached our very first thrift store, this resolve dissipated like a light fog. We didn't even have to go into the store. On the sidewalk in front of the store were three forlorn kitchen chairs tied together with string bearing a hand-lettered card that read "All three for $1".

My partner calls me the "patron saint of chairs" because I have this thing for restoring chairs. Usually, these things are junk, but I made a cursory examination and found that we had struck gold. But first some background.

In the 1920s, Marcel Breuer made history. He had a philosophy of reducing things to their bare minimum. As part of this, he created an art object --- the bare essence of "chair". He started with electrical conduit, essentially a thin tubing that can be bent in any direction. He formed a three dimensional "S" shape and fashioned a seat and back out of a peach crate. Although it was done as an intellectual exercise, the darn thing was very comfortable. Thus, Breuer had unwittingly invented the Kitchen Chair of the 1950s. One of his original chairs is in the Baltimore Museum of Art and is worth a zillion dollars

No, the three forlorn chairs are NOT Breuer chairs. They are, however Douglas Kitchen Master chairs. My father was in the kitchen business for years and for many of those, I was dragged along, so I have intimate knowledge of kitchens of the 1950s. Dad always specified Douglas Kitchen Master chairs because they were made with real chrome tubing --- they would not rust, dent, or in any other way deteriorate. And, when I did some cursory rubbing onthe forlorn chairs in Chambersburg, layers of dirt, paint and grease came off easily to reveal the chrome below.

The Douglas "Kitchen-Master" chairs were immortalized by Norman Rockwell in his October 30, 1948 cover for The Saturday Evening Post, as shown below

  
The October 30, 1948 cover of The Saturday Evening Post
Click Here to read about the Sunbeam T-9 Toaster
Click Here to read about the Silex Vacuum Coffee maker

The next part of the saga moves to TEDCO, an upholstery supply store in Baltimore. This place is an upholsterer's dream --- not only do they stock everything at bargain prices, but they also have Specials. The day we visited them, they were having a special on REAL LEATHER seconds at $5 a yard. This is like getting steak at 10 cents a pound. Since we were upholstering kitchen chairs, it didn't really matter if a hide had holes in it or splotches, because we didn't need very big pieces. They also had a nice special on high quality foam, so we walked out with enough material to do the job for $17

Although leather is very hard to work with, the results more than justify our $1 investment!

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First of all, let us say that we are more-or-less devoted to preserving the 1940s and we DO NOT ADVOCATE SMOKING. This item is definitely not Politically Correct today, although something like this was a fixture in almost every American household during the 1940s. Alas, it has no use except as a smoking stand. We certainly understand that some of our readers may be concerned, but we got this as a sociological curiosity.

The base is made of stainless steel with unusual globes of opalescent milk glass. The top is cast aluminum and is decorated with Western themes -- a six-gun, a covered wagon, a stage coach and horses. The accessories include two ash trays, a cigarette holder, and a cigar/cigarette lighter. There are receptacles to hold four pipes, as shown. The base is lighted and emits a soft glow when all the lights are out except for the smoking stand and the dial of the radio. Just the scene for listening to the Lone Ranger on a winter night.

This is precisely the type of object that sat beside Dad's Chair, from which Paternal dictates (as in "You'll have to ask Dad about that") were interspersed with reading the paper. In my family, the Smoking Stand is an icon of patriarchy and probably was so in many other families of my generation. Political correctness aside, we felt that such an item was essential to our 1940s restoration.

However, the most distinctive part of this stand is the cigar/cigarette lighter. My partner's hand is holding it up in the photo. This is a milk glass piece that contains a nichrome wire resistance unit, much like the element in a toaster. A clever gravity switch that has a steel ball bearing keeps the lighter "off" when it rests in the stand. When you pick it up and tilt it toward your cigarette or cigar, the steel bearing rolls backwards, completes a circuit and the element glows red- hot. Believe me, this is a DANGEROUS item. The complete lighter assembly is a real rarity because when children came into the house, the first thing that went was the cigarette lighter. I can remember that the thing used to fascinate me when I was a kid. Then it disappeared. Even my Father's Absolute Power could not stand up to my Mother's hatred of the Cigarette Lighter. Don't ever mess with Mom...

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We got this letter from a reader:

Smoking Stand
From: David Koopmans

I have a smoking stand almost identical to the one pictured on your page. The lighter on mine however went the way of my older brothers and or sisters, as you mentioned in your article. This was purchased for my grandfather for his 50th birthday in 1953. I need to rebuild the guts in the lighter. I was wondering if you could take a look at your cigarette lighter and describe to me what all is in the guts, I suspect it was a coil like you would find on a old space heater. If you have a digital camera, a photo would be great. If not please don't bother. Any help you could give would be greatly appreciated.

As promised, here is a photo of the "insides" of the cigarette lighter:

Key:
A: Glass Housing
B: Ceramic Element
C: Ball Cap
D. The Steel Shot
E. Screws, nuts, and fiber washer

The ceramic element (Part B) can also be disassembled, but the parts are too small for the resolution of my camera. Here is how the Lighter is put together:

1. The metal Grille is press fit onto the molded ceramic core; it can be removed by bending out three strategically placed "dimples"
2. The ceramic core has a spiral groove cast into it
3. At the center of the ceramic core is a hole which leads into the shaft; A bolt goes through this holder and holds a brass cup (not shown). A nichrome wire spring is attached to the head of the bolt.
4. The nichrome wire spring winds around the spiral groove where it is attached to a bolt that runs through the ceramic core (you can see the end of the bolt protruding through the core in the picture.) This is the "live" bolt.
5. A "dummy" bolt goes through the other side of the ceramic core.
6. The Steel shot [Part D] is inserted in the cup. The cap [Part C] is placed on top of the cup and is mounted on the "dummy" bolt.
7. The fiber washer is placed atop the ceramic core. The slot points to the "dummy".
8. The insulation is stripped from the cloth covered wire. "Eyes" are soldered to the wire.
9. The "High" side is connected to the "live" bolt; the "Low" side is connected to the "dummy" bolt.
10. The two nuts are used to secure the wire "eyes" to the bolts.
11. The completed apparatus is inserted in the glass holder [Part A]. A miniature screwdriver is inserted in the hole at the top and is used to align the hole in the fiber washer with the center.
12. The long screw secures the fiber washer (and the whole assembly) to the glass enclosure. There is a channel molded in the enclosure to receive the wire. (The wire sticks out the bottom of the lighter --- not through the top.)
13. For safety sake, I wired the lighter cord so that the light in the base has to be switched to the "on" position for it to be hot.

Assembly is made a whole lot easier if you have nut drivers. All bolts and nuts are standard sizes. You can buy a nichrome wire coil at an appliance repair store. The ceramic element and glass enclosure are unique to the piece. I got the right insulated wire by cutting the cord off an old waffle iron.

PLEASE! Don't restore one of these if you have children in the house!

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This set of photos illustrates the things that you can do with stuff that other people throw away.

Sunday September 20, 1998

My partner and I attended a rummage sale at a church in Chevy Chase. I found a tubular steel Art Deco chair sitting off in the corner --- it had a $1.00 price tag on it, but it was in unusually bad condition. Someone had re-upholstered it in very bad "nausea Green" Naugahyde. (NO Nauga should perish for this horrible color...) On the other hand, the chrome steel tubes of the chair form the outline of a perfect cube. I peered beneath the dust cover and noticed an oak frame with springs that had been attached by hand sewing. This detail and the aesthetics placed the piece in the late 1920s, early 1930s, so I took the fateful step and got out a dollar. One of our readers suggested that it may have been the work of designer Gilbert Rhode. It certainly has a lot of style.

On Monday, I found myself knee deep in problems with the Art Deco chair. It seems that someone had left the chair out in the rain a lot! On the positive side, the padding was real horsehair and cotton batting. On the negative side, only forensic pathologists can appreciate dealing with rotting horsehair and cotton batting. When I got the ugly naugahyde cover off and disposed of the padding, I found that the burlap had degenerated and there was considerable rot in the frame --- particularly in the sculptured back which seemed to be made out of a zillion pieces of laminated wood. So, I put away my upholsterer's tools and took up my carpenters tools. Alas, most of the rot was concentrated in the edges of the frame --- the same places that need to be very sound to accept the tacks and staples that hold the padding and fabric. It was fortunate that our pile of scraps from old furniture repair had enough wood to reconstruct the frame. The downside was that this took a whole bunch of time...

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On Tuesday, working with a newly reconstructed frame, I had to re-set the springs, a process that is singularly difficult and about as exciting as watching paint dry. Not only is it physically arduous and boring but there is hardly any room for error. The springs have to be tied six ways and then burlap must be stiched over them. So far, I had invested only about eight hours of work in my dollar chair...

On Wednesday, We trip to the Fabric Store. We spent about an hour peering through the remnants bin. At the bottom of the pile, we found the perfect fabric --- it looked great and it had a regular small pattern that would be easy to match. Fabric and thread came to $25. Next, we went to an Upholstery shop. I had decided to replace the horsehair with three inch high density non-degradable foam; prices for this stuff are sky high --- enough foam and dacron batting for the job came to about $30.

The cushion requires welting between the seams, so that means sewing through four layers of cloth. My sewing machine would not handle the thickness, so we had to sew all the cushions by hand, something that kept us busy for another four hours. Pulling, tacking and stapling consumed another two hours.

By the time that we proudly placed the chair in the living room, we had invested about fourteen hours and about $60 in our dollar chair. Some things only look like bargains.

The photo also shows some of our other treasures. On the little bookshelf is a FrankArt Ashtray featuring two racing greyhounds, and a bookend called "Scaredy Cat" from the 1946 Chase Art Metal catalogue

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Bulk Trash Day is a big event in our house. We hit the jackpot in this little Art Deco Martini Bar. Someone had tossed the thing out, possibly because it had broken in two and had no mirror top...

With considerable effort, we were able to repair and refinish the Bar. We are indebted to the folks at Read Plastics in Rockville who custom cut a piece of 1/2inch black lucite to make our table top.

In the background, you can see some of our other "found" treasures, including a streamlined vacuum cleaner, a western-theme lighted floor ashtray, an Eames Chair (YES! Someone in Chevy Chase actually tossed out a REAL Eames chair AND the ottoman!), and part of our collection of vintage newspapers.

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SEE! It's not a coffee table. The beautifully veneered ends swing open to reveal the glassware and equipment necessary to make the perfect Martini. The only fly in this ointment is that we don't drink... But, we have a souvenir from the period when the Martini was all the rage.

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