Hit Parade, 1938-1959
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| Hi Lindy
Hoppers!!! What we like WASN'T POPULAR!!! | |||||||
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Lionel Hampton and Benny Goodman at the Stanley Theater in Pittsburgh | |||||||
We have been looking into the "Hit Parade" for the Swing and Rock'n'Roll Era (i.e. 1935-1959). Guess what: You would be TOTALLY WRONG if you believed that:
All of those statements are TOTALLY FALSE! Virtually NONE of the songs that we love to dance to ever got anywhere near the top of the Pop Charts!!! In fact, from 1950 through 1959, only 8 Lindy-danceable songs made the Overall Top Ten for these years (that's 8 out of 100!). For a week or two, some of the songs that we love may have come close to the top, but when sales are considered for the whole year, generally uptempo killer-dillers lose out. In Case you are interested, they are:
People had a taste for nostalgia (Yellow Rose of Texas), sentiment (Oh My Papa), movie themes (Tammy), and outright schlock (Witch Doctor). Hot numbers and "edge" didn't sell records. Elvis had only three Yearly Top Ten hits during 1955-1959. The Platters had four , and the Everley Brothers and Johnny Mathis had two, as did Latin star Perez Prado. There are actually four Big Band hits during 1955-1959 (Lisbon Antigua, Canadian Sunset, Moonglow/Picnic, and So Rare) I think that Jimmy Dorsey's So Rare which was #9 for 1957 was the last major hit for a Swing Era big band. Haven't People Come to Learn What is Good? Several years ago, the now defunct Oldies 100 (WBIG-FM) produced a brochure that contained their "Big 500 Oldies of All Time" -- that would be from the time that they were released to about 1999. For what it's worth, very few Lindy-danceable songs made this list. Of 500 songs, I count only 15 that are even marginally danceable! Here they are:
So, What Is a "Hit Parade", anyway? Your Hit Parade was a popular American radio and television program, sponsored by Lucky Strike cigarettes and broadcast from 1935 to 1955 on radio, and 1950 to 1959 on television. Each Saturday evening, the program offered the most popular and best selling songs of the week. The earliest format involved a presentation of the top 15 songs. Later, a countdown with fanfares led to the top three finalists, with the number one song for the finale. Occasional performances of standards and other favorite songs from the past were known as "Lucky Strike Extras." During this 24-year run, the show had 19 orchestra leaders and 52 singers or groups. Listeners were informed that: The survey checks the best sellers on sheet music and phonograph records, the songs most heard on the air and most played on the automatic coin machines, an accurate, authentic tabulation of America's taste in popular music. However, the exact procedure of this "authentic tabulation" was never revealed. We have a Special Jukebox Page that goes into some detail about that business. Until the 1950s, jukeboxes only offered (at most) 24 selections. If you follow our discussion of jukebox mechanisms, you'll find that most machines did not keep totals of how many times each record had been played. Based on our look at organized crime and jukeboxes, we suspect that the selections that were made available reflected "payola" rather than popular taste.As far as sheet music is concerned, Who would think of buying the sheet music for Sing,Sing, Sing? As far as airplay goes, most jive records were kept off the air -- black artists were discriminated against, Rock and Roll was the tool of the devil, etc. In other words, the "survey" had a lot of flaws. Another source of information about popular musical tastes was a magazine called Hit Parader that was issued on a monthly basis. The magazine contained the lyrics to popular songs and various articles about personalities in the music industry. Copies of Hit Parader are somewhat collectible, especially if the star featured on the cover has a cult following. The magazine was first published in 1942 and survives to this day, but is largely unrecognizable from its former incarntation, now embellished with the sort of Doom and Gloom graphics favored by teenage boys who eat too many cheez curls. Here are some representative magazines that I have collected. You can click to enlarge each cover to have a look at the songs that were popular that month:
The Early 1940s Feb, 1943, Dec 1943,March 1944, Sept. 1944
The Late 1940s March 1945, October 1947, August 1948, December 1949
The Early 1950s April 1951, April 1952,December 1952, October 1953
The Mid 1950s July, 1954, December 1956,February, 1958 April, 1958
The Late 1950s May 1958, November 1958, July 1959 Click to Enlarge Here are sources for Hit Parade information from the past.
I guess that you have noted that the websites listed above have a "gap" between 1955 and 1962. We found a source for some of the missing years: The Good Old Days, Time Life Books,1996, ISBN 0-7835-4845-1, especially p 186 Without further ado, here are the years, 1955 - 1959. We have included one overlap year (1955) so you can compare the results with those from " Your Hit Parade" Table entries are the overall best sellers for the calendar year as tabulated by Cash Box magazine 1955
1956
1957
1958
1959
AND, just in case you were not around in 1955, here is the scoop on "Davy Crockett" --- I was 11 then and believe me, the following is DEFINITELY true:
The immortal words are: Greenest state in the land of the free, Raised in the woods so he knew every tree, Kilt him a b'ar when he was only 3. Davy, Davy Crockett, King of the Wild Frontier! Seven million copies of the song were sold in the first six months of 1955. Counter for the ENTIRE Website | |||||||
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